![]() Also, if you plan on doing karaoke effects in Adobe After Effects then you had better learn at the very least the basics of doing it in ASS. ![]() Regarding your other ASS question look back in this thread, there is a great wealth of information that should help you figure out how to create karaokes effects. So with 4.) that would make me a non-skilled bitch. Trust me, hawt girls are more impressed with 5000 \clips than some simple Box Blur =p It wasn't designed for just solely creating karaoke effects.Ģ.) ASS is much more suited for karaoke effects because it is a specialist application (well not really an application but more like a framework) that is more-a-less built for making only karaoke effects.Ĥ.) IMO it takes much more skill to do a really fancy or nice effect in ASS then Adobe After Effects. To answer the first question why people use ASS as opposed to Adobe After Effects:ġ.) The largest reason would be due to the fact that Adobe After Effects is a professional program with a professional price. Question: when you have the script what do you do next? do you have to make more effects on aegisub or do you only need de ? where do i put de script and make it run? Thanks for the help Can you give me a reason to work with ASS instead of AFX? (just askin^^) The quality of AFX (well made) karaokes is far better than the best of ASS. Why do ppl prefere to use ASS? When i saw shinji's works in karaokes he became my idol in this matter. This is just a thought but i think that is too much easyer to work with AFX then aegisub. See Template execution and order for details.Thanks for the tut. Note that the execution order of looped line templates and looped syl/furi templates is different. The number of loops must be a constant integer number, it can not be a variable or otherwise calculated dynamically. Specifying the number of loops is required. Specify that the template will be applied the given number of times. we don’t want a sword dropping down on a lone timed space, that just looks dumb. Also the noblank modifier is used to avoid producing anything for “invisible” syllables, eg. The template uses the notext modifier to avoid getting the original syllable text shown, because it’s being replaced with a vector drawing here. The effect itself is these small swords dropping down onto the syllables, by a move. The drawing is of a small simple sword pointing downwards. The first code line defines a vector drawing shape for convenience, so it doesn’t clutter up the actual template lines later on. “code once” lines are primarily intended to declare functions for use in templates. They are run in the order they are declared. This class modifier is only valid for code lines.Ĭode lines with the once modifier are run exactly once during Karaoke Templater execution, and are always run before any other code lines or templates. ![]() Having one is still recommended for clarity, however.Ī template line without a class modifier is implicitly given the syl modifier.Ī code line without a class modifier is implicitly given the once modifier. Class declaring modifiers #īoth template lines and code lines can be produced without having a class modifier. ![]() There is a special set of modifiers that declare the class of the template line or code line. ![]() While modifiers can be combined to some extent, not all are compatible, and not all work on both code lines and for templates. This is a space-separated list of words in the Effect field following the template or code keyword. Template lines and code lines can take a number of modifiers. ![]()
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